@ƒWƒƒƒPƒbƒg‚πƒNƒŠƒbƒN‚·‚ι‚Ζ“ϊ–{‚ΜAmazon‚Φ”ς‚сAƒAƒ‹ƒoƒ€Eƒ^ƒCƒgƒ‹•ΆŽš‚πƒNƒŠƒbƒN‚·‚ι‚ΖƒAƒƒŠƒJ‚ΜAmazon‚Φ”ς‚Ρ‚ά‚·B @
  @•]‰Ώ‹L†‚ͺΒ‚’‚ΰ‚̂́AYouTube“™‚Φ‚ΜƒŠƒ“ƒN‚Ζ‚Θ‚Α‚Δ‚’‚Δ‚P‹Θ‘S•”’‚―‚ά‚·B( ‚’‚Έ‚κ‚ΰAƒuƒ‰ƒEƒU‚Μ–ί‚ιƒ{ƒ^ƒ“‚Ε–ί‚Α‚Δ‚­‚Ύ‚³‚’ ) @
@@ShiftƒL[‚π‰Ÿ‚΅‚Θ‚ͺ‚ηŠeƒŠƒ“ƒN‚πƒNƒŠƒbƒN‚·‚ι‚ƐV‚½‚ΘƒEƒBƒ“ƒhƒE‚ΕŠJ‚«‚ά‚·‚̂ŁA–ί‚ιƒ{ƒ^ƒ“‚Ε–ί‚ι•K—v‚Ν‚Θ‚’‚Ε‚·B @
@    When the jacket is clicked, it links with Amazon of Japan. When the album title character is clicked, it links with United  @
@    States Amazon. The one with a blue evaluation sign is a link of one all to YouTube etc. and it is possible to listen.  @
@    (Please return with the button where browser return. ) @
@ @@When Each Link Is Clicked While Pushing The Shift Key, It Opens In A New Window. @
@                F = Funky . R = Romantic . B = Ballad . C = Cool . K = Kanashii[”ί‚΅‚’] Sadness
@                       1”Τ‘ε‚«‚’—v‘f‚πζ‚ɁA‚Q”Τ–Ϊ‚Μ—v‘f‚πŒγ‚Ι‚΅‚ΔŠξ–{“I‚Ι‚Q•ΆŽš‚Ε‹Θƒ^ƒCƒv‚π•\‹L ( Ϊ‚΅‚­‚Ν•]‰Ώ‹L†‚Μΰ–Ύ‚πŒδ——‚­‚Ύ‚³‚’ j
@                   the biggest element of that song first and the second biggest element after
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@ P @ @ @ Pamela Williams @ Sax @
@ @ @ @ @ ƒpƒƒ‰EƒEƒCƒŠƒAƒ€ƒX @ @ @
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@ Saxtress @ @ @ @ @ @ @ 1997HeadsUp @
@ @ @ @ @ ƒTƒNƒgƒŒƒX @ @ @ @ @ @ @ @ @
@ @ @ @ @ BF75W @ B75s @ KR75 @ KC65Ww @ B69ws @ CB74y @ KC74 @ KB65W @ CB74 @ BF80 @
@ @ @ @ @ BK74 @ 4rKC65Ww @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ Eight Days Of Ecstasy @ @ @ @ @ 1998HeadsUp @
@ @ @ @ @ ƒUJEƒTƒNƒXƒ^ƒV[ @ @ @ @ @ @ @
@ @ @ @ @ CB75dy @ FB85Wd @ BK85 @ B74Mmf @ BK85 @ KC80d @ BR85Mm @ CK74 @ K80d @ CB63dy @
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@ The Perfect Love @ @ @ @ 2003Shanachie @
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@ @ @ @ @ BK80fd @ BC80fd @ BC77 @ CB75 @ BK77 @ CB74 @ BC74d @ CB63wfd @ BK74d @ CK74d @
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@ Sweet Saxations @ @ @ @ @ 2005Shanachie @
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@ @ @ @ @ CB77fd @ BC77fd @ B77f @ B77ws @ BC71 @ CB75fd @ KC74Ww @ CB75fd @ CB75fd @ B77 @
@ @ @ @ @ KC75 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ Elixir
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@ Elixir @ @ @ @ @ @ @ 2006Shanachie @
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@ @ @ @ @ Panama Reed @ @ @
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@ @ @ @ @ Remote Soul Modulations @ @ @ 1997InternalBass @
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@ @ @ @ @ Paprika Soul @ @ @
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@ Paprika Soul @ @ @ @ @ 2001HigherOctave @
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@ @ @ @ @ Pat Kelley @ Guitar . Genre: Smooth Jazz @
@ @ @ @ @ ƒpƒbƒgEƒPƒŠ[ @ @ @
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@ High Heels @ 1992Nipponcolumbia[Japan] . Guest: David Benoit, Eric Marienthal, etc @
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@ @ @ @ @ CF65v @ BC69 @ BF67Mv @ BF71 @ BF77 @ CF63 @ CK63 @ BK65 @ BF71 @ KC65 @
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@ @ @ The Road Home [from US] [Import]
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@ The Road Home @ @ @ @ @ 1994Positive @
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@ @ @ @ @ CB74 @ CB61 @ B80 @ JFC80S @ CB65M @ CB80 @ JCF75 @ BF77 @ JFC74 @ BR74NS @
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@ @ Moonlight Dance @ @ @ @ @ 1998Award . Guest: David Benoit, Eric Marienthal, Gregg Karukas @
@ @ @ @ @ @ @ @ @ @ @ @ @                 Album Title & Jacket Design <US>‚<Japan> . 07-Portuguese For Travelers @
@ @ @ @ @ BF80 @ BR80 @ BF85 @ KC85 @ KB75 @ CB71 @ BF95w @ CB74 @ FB80 @ BF74y @
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@ @ @ @ @ Good News <Japan> @ @ @ @ @ 1998 IdNet[Japan] . Album[Moonlight Dance] =  Album[Good News <Japan>] @
@ @ @ @ @ ƒOƒbƒhEƒjƒ…[ƒX @ @ @ @ @                                 02-Portuguese For Travelers @ @ @ @ @
@ @ @ @ @ BF80 @ BF95w @ BF85 @ CB74 @ KC85 @ CB71 @ BR80 @ FB80 @ BC74y @ KB75 @
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@ @ @ @ @ In The Moment @ 2002ArtsongMusic @
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@ @ @ @ @ Pat Metheny @ Guitar . l‹C‚̍‚‚’ƒA[ƒeƒBƒXƒg @
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@ Bright Size Life @ @ @ @ @ 1975/2000ECM . Pat Metheny 1st Album . Bass-Jaco Pastorius, Drums-Bob Moses @
@ @ @ @ @ ƒuƒ‰ƒCƒgEƒTƒCƒYEƒ‰ƒCƒt @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ BC75f @ B65 @ BK67 @ FC71 @ RK>BC67N @ CB65y @ BF74 @ CF67f @ @ @ @ @
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@ Works ‡U @ 1984ECM . Selection from ECM Label(1975-1984) @
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@ @ @ Passaggio Per Il Paradiso [Soundtrack] [from US] [Import]
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@ Passaggio Per II Paradiso @ @ @ 1996MCA @
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@ @ @ @ @ IBK>RF74 @ IK65N @ IBK>RF75 @ IK74hN @ IC61/ @ 4rIK74hN @ IKRN>RF75h @ IC55/ @ rIK74h @ IBF>K74hN @
@ @ @ @ @ IKR80hN @ rIKN><RF74h @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ A Map Of The World  [ Sound Track ] @ 1999Warner @
@ @ @ @ @ ƒ}ƒbƒvEƒIƒuEƒUEƒ[ƒ‹ƒh @ @ @ @ @ @ @
@ @ @ @ @ IRB75hN @ BF75f/ @ B77fh @ HRK69N/ @ B74h @ HRK69hN/ @ ICR><CK69hy/ @ HRK69N/ @ HCR>K65h @ HRK65N/ @
@ @ @ @ @ HK65h/ @ HRK69hN/ @ IB>C65vdh/ @ HRCw>ICK74h/ @ HB74h/ @ HRK75h/ @ HRK74h/ @ HC61vhy/ @ HCR65h/ @ HCR67h @
@ @ @ @ @ in @ HRK69h/ @ HB71h/ @ HB>FB74h/ @ HRK75h/ @ IFB74h @ HKR75h @ HK>KR65h @ @ @ @ @
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@ @ One Quiet Night @ 2003Warner @
@ @ @ @ @ ƒƒ“EƒNƒƒCƒGƒbƒgEƒiƒCƒg @ @ @ @ @ @ @
@ @ @ @ @ HRK71 @ CB><C65y @ IBR75s @ IBK69N @ IBK71N @ IBR74S @ IKR71N @ IBR71s @ BF67y @ IKB63N @
@ @ @ @ @ IRC63N @ IBR74 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ @ @ @ @ Pat Metheny Group @ Group . Keyboard & Composer - Lyle Mays @
@ @ @ @ @ ƒpƒbƒgEƒƒZƒj[EƒOƒ‹[ƒv @ @ @
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@ Still Life @ @ @ @ @ @ @ 1987Metheny/Geffen @
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@ @ @ @ @ RC>CB74m @ KC69m @ BC77m @ CB75m @ CB65vfa @ HCR61/ @ RK67N/ @ @ @ @ @ @ @
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@ Letter From Home @ @ @ @ @ 1989Metheny/Geffen @
@ @ @ @ @ ƒŒƒ^[Eƒtƒƒ€Eƒz[ƒ€ @ @ @ @ @ @ @
@ @ @ @ @ CB75mf @ B75m @ BF77mfb @ KB69N @ FB61/ @ BK75m @ FC74m @ B77M @ C51Y>RC55 @ BC61Ma @
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@ @ @ Secret Story [from US] [Import]
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@ Secret Story @ @ @ @ @ 1992Geffen/MCA Victor @
@ @ @ @ @ ƒV[ƒNƒŒƒbƒgEƒXƒg[ƒŠ[ @ @ @ @ @ @ @
@ @ @ @ @ RB65va @ BF77 @ B75f @ CF65waY @ KR><B77 @ BF77f @ CK61 @ K65 @ CF74 @ CR61w/ @
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@ @ @ The Road to You: Recorded Live in Europe [Original recording remastered] [Live] [from US] [Import]
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@ The Road to You: Recorded Live in Europe @ 1993/2006Nonesuch @
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@ We Live Here @ @ @ @ @ 1995MCA/Victor @
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@ @ @ @ @ BC77m @ BF><B80m @ CK71 @ KCN><B75mf @ CF98vY @ CB><KB75 @ KB>B75mf @ KC><CF69m @ CF69y @ @ @
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@ Quartet @ @ @ @ @ @ @ 1996Metheny/Geffen @
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@ @ @ @ @ in @ JCK65 @ C51y @ JCF61y @ JKB69N @ JKB69N @ IC><FC30 @ IKC45N @ ICR55N @ ICK40N @
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@ Imaginary Day @ @ @ @ @ 1997Warner @
@ @ @ @ @ ƒCƒ}ƒWƒiƒŠ[EƒfƒC @ (Limited) @ (DVD Audio) @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ IB><CK><BC74 @ B>BC><CB74m @ IRK74 @ BC74m @ CBy><RC><B74m @ KBN>B74m>end @ DC>CFY>RC74 @ RK>KBN74 @ FCy><B><CF74m @ @ @
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@ @ @ @ @ The Way Up @ @ @ @ @ 2005Nonesuch . 4 Track Album ( 118 minutes ) @
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@ ƒUEƒEƒFƒCEƒAƒbƒv @ (Limited) @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ in>CB>RB77 @ RB><CB><CF><B77 @ KR><BC><RB><CF77 @ RK><B><CF>BK>CB77 @ @ @ @ @ @ @
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@ @ @ @ @ Pat Metheny Trio @ @ @
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@ @ @ Trio 99>00 [from US] [Import]
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@ Trio 99-00 @ 2000Warner . Bass-Larry Grenadier, Drums-Bill Stewart @
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@ @ @ @ @ JCB74fy @ JB><BC74fS @ RB74 @ JBF65 @ B><BC74 @ JBF><BC69fS @ RC>RK69N @ JCF74fy @ JB75S @ CF69y @
@ @ @ @ @ IBK71 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ @ @ @ @ Pat Metheny & Lyle Mays @ @ @
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@ As Falls Wichita, So Falls Wichita Falls @ 1981ECM/2000BMG @
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@ @ @ @ @ CR><C><CB63v @ FC69Y @ HKR74 @ HB74v @ HBR69m @ @ @ @ @ @ @ @ @ @ @
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@ @ @ @ @ Charlie Haden & Pat Metheny @ Bass & Guitar @
@ @ @ @ @ ƒ`ƒƒ[ƒŠ[EƒwƒCƒfƒ“•ƒpƒbƒgEƒƒZƒj[ @ @ @
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@ @ Beyond The Missouri Sky @ @ @ 1997Polydor/Polygram @
@ @ @ @ @ ƒ~ƒY[ƒŠ[‚̋󍂂­ @ @ @ @ @ @ @
@ @ @ @ @ JBR77N @ K69 @ K69N @ KR74S @ K65 @ KR80N @ BF77f @ KR74NS @ KC63N @ KC61 @
@ @ @ @ @ K65Ncs @ KR74Ncs @ KR74N @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Pat Metheny & Brad Mehldau @ << Please Look Jazz"Brad Mehldau" >> @
@ @ @ @ @ ƒpƒbƒgEƒƒZƒj[ •ƒuƒ‰ƒbƒhEƒƒ‹ƒh[ @ @ @
@ @ @ @ @ Patrice Rushen @ Piano / Keyboard / Vocal @
@ @ @ @ @ ƒpƒgƒŠ[ƒXEƒ‰ƒbƒVƒFƒ“ @ @ @
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@ Signature @ @ @ @ @ @ @ 1997Sire/Discovery @
@ @ @ @ @ ƒVƒOƒlƒ`ƒƒ[ @ @ @ @ @ @ @ @ @
@ @ @ @ @ BC65f @ BR77 @ BC69vf @ BF69d @ KR75N @ BC69vf @ CF74f @ CB65f @ BF65fd @ BF85 @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Patrick Cooper @ @ @
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@ Vibin @ @ @ @ @ 2008DepthInSound @
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@ @ @ @ @ BF75 @ CK75g @ KR77 @ BC75fd @ KR77mN @ KR75M @ CK71Wd @ KR80w @ BC75fd @ BC77m @
@ @ @ @ @ B77w @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ @ @ @ @ Patrick Yandall @ Guitar @
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@ @ @ @ @ Of Two Cities @ 2000Zangi @
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@ @ @ @ @ B74 @ BF74 @ BK74 @ BC69 @ FB><BF74 @ CB69 @ BK74e @ BC67f @ FC><BK67 @ CB69f @
@ @ @ @ @ CB65 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ Back To The Groove @ 2002Zangi @
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@ @ @ @ @ BF67 @ KC><BF74w @ BK74 @ BC74s @ KC69M @ BR75 @ CF><CB69 @ BK71 @ KC><BK69 @ CK74d @
@ @ @ @ @ KB67 @ FC74Mwd @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ From The Ashes @ 2004Apria . Guest: Randy Brecker, Scott Wilkie, etc @
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@ @ @ @ @ BF74 @ CB65 @ BF74 @ B71s @ CB63 @ CB65 @ CB67 @ BR74 @ CB69 @ CB71y @
@ @ @ @ @ BK67 @ CB63y @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ Laws of Groovity @ @ @ @ @ 2008Zangi @
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@ @ @ @ CB74 @ BC74 @ KR74 @ CB74f @ BF74w @ CB69y @ BC71 @ KB74 @ BC69 @ FB80 @
@ @ @ @ BC67w @ BF75 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ Product Details
@ A New Day @ @ @ @ @ 2009Zangi @
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@ @ @ @ @ BC77 @ BC77f @ BC77 @ BC75 @ CB75fd @ CB74fd @ BF80m @ BF77 @ BK>CB77 @ BF77 @
@ @ @ @ @ RF80 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Paul Brown @ Guitar / Keyboard / Producer . Smooth JazzŠE‚Μ–Όƒvƒƒfƒ…[ƒT[(Boney James, etc) @
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@ Up Front @ 2004GRP @
@ @ @ @ @ ƒAƒbƒvEƒtƒƒ“ƒg @ @ @ @ @ @ @
@ @ @ @ @ CK75mfd @ CB71S @ CK><BF75mfd @ BR75Ms @ KB71S @ B77 @ BC65Mq @ BC74s @ BC75 @ CB74 @
@ @ @ @ @ KC71 @ BC63Mqs @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ The City @ @ @ @ @ @ @ 2005GRP @
@ @ @ @ @ ƒUEƒVƒeƒB @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ KC69m @ KC69 @ CB71wfd @ BC69Mmq @ CK74s @ KC74 @ BC><B75fs @ in>CK75d @ KC74md @ CB65fd @
@ @ @ @ @   >4rBC69mq @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ White Sand
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@ White Sand @ @ @ @ @ @ @ 2007Peak @
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@ @ @ @ @ B75 @ KC77 @ BC74M @ CB75 @ BC74Ms @ BC75 @ BK75Wws @ KC75w @ KC75M @ KC75 @
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@ @ @ @ @ Paul Brown + Marc Antoine @ Guitar + Guitar @
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@ @ @ Foreign Xchange
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@ Foreign Xchange @ @ @ @ @ 2009ConcordMusicGroup @
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@ @ @ @ @ BF80 @ BC80fd @ RF85b @ BF80 @ CB77 @ CK75 @ BC85 @ KC74 @ KC71 @ KC71 @
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@ @ @ @ @ Paul Jackson Jr @ Guitar @
@ @ @ @ @ ƒ|[ƒ‹EƒWƒƒƒNƒ\ƒ“EƒWƒ…ƒjƒA @ @ @
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I Came to Play [from US] [Import]
Out of the Shadows [from US] [Import]
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@ I Can To Play @ 1988Atlantic @
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@ @ @ @ @ BC63mdy @ BF67w @ BC74 @ B>BC74 @ B65Mw @ CF63mdy @ BK69ws @ CF59mdy @ KR67hNs @ @ @
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@ @ @ @ @ Out Of The Shadows @ 1990Atlantic @
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@ @ @ @ @ B71vfs @ BK71 @ BC69v @ C69yd @ C65dy @ BF67Mw @ CF69mfdy @ B75f @ C63mdY @ CB67yS @
@ @ @ @ @ 1rBC67vf @ 4rC67mdy @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ A River in the Desert [from US] [Import]
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@ A River In The Desert @ @ @ @ @ 1993Atlantic . 05-[The East From The West] is "Earl Klugh" Style Song @
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@ @ @ @ @ BF71Mv @ B75 @ CF74vd @ RF80 @ B95 @ JCB61 @ KR74v @ KC74vd @ BR69W @ CK74vfd @
@ @ @ @ @ JBC61f @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ Never Alone @ 1996BlueNote(Capitol)/PonyCanyon @
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@ @ @ @ @ CB65 @ B69s @ C69d @ FB69mds @ B67Mvs @ CB65 @ BF69Vfs @ BK69Vv @ BF74 @ CF63Y @
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@ The Power Of The String @ @ @ 2001BlueNote(Capitol) @
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@ @ @ @ @ CK85dy @ CK77 @ KR80 @ CB69vds @ KC74Ww @ KR77vs @ CB71dy @ KC67Mv @ CK80 @ KC75ms @
@ @ @ @ @ KC71 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ Still Small Voice @ @ @ @ @ 2003Bluenote(Capitol) . Guest: Brian Culbertson, Jeff Lober, Gerald Albright, etc @
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@ @ @ @ @ BK85w @ CK71 @ BC67yt @ CB85dy @ FB75s @ in @ KR85 @ KC74 @ CB71S @ FC77 @
@ @ @ @ @ BR77 @ BR75ws @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ €•i‚̏ڍΧ
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@ Lay It Back @ @ @ @ @ 2009BranchRecords @
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@ @ @ @ @ CB80Y @ CB77 @ BC80s @ KR85 @ CB80Y @ BR85 @ B77Mms @ BC80 @ BC80 @ CB77 @
@ @ @ @ @ B77s @ ^ >C77fy! @ ~ >CB75 @ KC74 @ @ @ @ @ @ @ @ @ @ @ @ @
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@ @ @ @ @ Paul Hardcastle @ << Please Look [ Vocal CD - Pops Group - Paul Hardcastle ] >> @
@ @ @ @ @ ƒ|[ƒ‹Eƒn[ƒhƒLƒƒƒbƒXƒ‹ @ @
@ @ @ @ @ Paul Howards @ Sax . (“―–Ό‚ΜƒJƒ“ƒgƒŠ[Œn±°Γ¨½Δ‚ͺ‚’‚ι) @
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@ @ @ @ @ Elegance & Decadence @ @ @ @ @ 1998 Os-Nix[Orlando] @
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@ @ @ @ @ CB77f @ BK80m @ B77v @ BF75f @ B77 @ CB55dy @ BK74 @ KB75 @ CF65 @ BK77 @
@ @ @ @ @ BF80 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Paul "Shilts" Weimar @ Sax @
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@ @ @ HeadBoppin
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@ Head Boppin @ @ @ @ @ 2006Artizen @
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@ @ @ @ @ CB><BF80f @ BF80 @ CB75 @ KC75 @ CB77wd @ CB77fd @ RF77 @ BF80f @ CB75 @ CK75 @
@ @ @ @ @ BC75 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ Jigsaw Life
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@ Jigsaw Life @ @ @ @ @ 2008NuGroove @
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@ @ @ @ @ in>BC77 @ CB77d @ BC75m @ BK75 @ BC77 @ BC80 @ CB77y @ RF90 @ BC77 @ BC77f @
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@ @ @ @ @ Paul Taylor @ Sax . “―–Ό‚Μ±°Γ¨½Δ‚ͺ‚’‚ι‚Μ‚Ε’ˆΣ @
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@ On The Horn @ @ @ @ @ 1995Countdown @
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@ @ @ @ @ CB85d @ K67 @ CK74Mvd @ BK85 @ CK71yd'# @ CB65 @ KB75 @ BF80d @ CB65d @ CK75 @
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@ Pleasure Seeker @ 1997Countdown @
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@ @ @ @ @ CK75 @ KC75 @ KB74 @ KB75 @ KC74 @ K71w @ KC74 @ KC75 @ KC75d @ BC77fd @
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@ Undercover @ @ @ @ @ @ @ 2000Unity/N-Coded . Guest: Russ Freeman, etc @
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@ @ @ @ @ B85f @ KC77s @ KC75 @ KC74 @ BC77Mmf @ KB74f @ CK75dy @ CK77d @ KC67 @ KB71 @
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@ Hypnotic @ 2001Peak @
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@ @ @ @ @ BK71 @ BK74d @ BK71d @ KR75 @ CK74d @ RF77Mv @ BC75 @ KC75 @ BC71 @ BK77 @
@ @ @ @ @ BC77 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ @ Greatest Hits @ @ @ @ @ 2002N2K . Selection Album @
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@ @ @ @ @ KC75 @ KC75d @ BK85 @ KC74 @ KC75 @ K67 @ BK71d @ KC74 @ CB85d @ B85f @
@ @ @ @ @ CB65 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Steppin' Out @ @ @ @ @ 2003Peak . Producer: Rex Rideout, etc @
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@ @ @ @ @ BK74d @ BF77 @ B75 @ BR75Wv @ BK71 @ BC75f @ BC80wfd @ BK80f @ BK75 @ CB74 @
@ @ @ @ @ CB77fdY @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Nightlife @ @ @ @ @ @ @ 2005Peak . Producer: Rex Rideout, etc @
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@ @ @ @ @ BC80fd @ BC75fd @ BC63 @ KC80d @ B74Mms @ CB69wd @ BK75 @ CK><C75fd @ KB75 @ KC74 @
@ @ @ @ @ KB74 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ Ladies' Choice
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@ Ladies' Choice @ @ @ @ @ 2007Peak . Guest: Regina Belle @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ BC77 @ BR77Ww @ BC80f @ B77Ww @ BC77fd @ BR77Ww @ B77 @ BK77Ww @ KR77Ww @ CK77fd @
@ @ @ @ @ BC77f @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ @ @ @ @ Paul Ventimiglia @ Piano / Keyboard @
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@ @ @ Il Bacio [from US] [Import]
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@ II Bacio @ 1997Miramar/BMG . Guest: Gerald Albright, Peter White, Brandon Fields, etc @
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@ @ @ @ @ FC80 @ BF74vfy @ KC69v @ CF67 @ B80 @ CF75 @ B77 @ FC75y @ BR74N/ @ BF80m @
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@ @ @ @ @ Peace Of Mind @ Group . “―–Ό‚Μƒ{[ƒJƒ‹Group‚ͺ‚ ‚蒍ˆΣ @
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@ Journey To The Fore @ @ @ @ @ 1998unGroove . "Done To Bone + Shakatak" Style Music @
@ @ @ @ @ @ @ @ @ @ @ (UK) @ @ @  Jacket Design <US>‚<UK> @
@ @ @ @ @ C90fd @ KC77Wwf @ CK77 @ CK71 @ KC71W @ C85d @ CK85dy @ C77dy @ CF85fd @ @ @
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@ @ @ @ @ Peppino D'Agostino @ Guitar @
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@ Venus Over Venice @ 1995Mesa/Bluemoon @
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@ @ @ @ @ IFB69 @ IBK71 @ IRF75S @ B65Mb @ IBF74y @ ICF59y @ IKB63 @ IBK>BF63y @ KR67Vs @ IRF>BF65 @
@ @ @ @ @ IB65y @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Peter Gordon @ Sax @
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@ @ @ @ @ Double Play @ 1993Positive @
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@ @ @ @ @ CK69 @ CB74 @ BF75f @ KC74 @ B75 @ CB71f @ FB75y @ B75 @ B77 @ KB65 @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Peter Horvath @ Keyboard @
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@ Foreign Matter @ 1995Allyn/LakeStreet @
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@ @ @ @ @ CB77y @ B77 @ CF75fdy @ BF57 @ BR71V @ RF74 @ RF77 @ CF59y @ BF74 @ JBR77N @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Peter Mazza @ Guitar @
@ @ @ @ @ ƒs[ƒ^[Eƒ}ƒbƒcƒ@ @ @ @
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@ Through My Eyes @ @ @ @ @ 2007LateSetRecords @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ CF74y @ B80 @ CB74y>Y @ KN>KF74 @ CB67 @ K74S @ BC><CF75fyS @ B><BC71 @ B><CF75f @ KR77 @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ 1 @ 2 @ 3 @ 4 @ 5 @ 6 @ 7 @ 8 @ 9 @ 10 @
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@ @ @ @ @ Peter White @ Guitar @
@ @ @ @ @ ƒs[ƒ^[EƒzƒƒCƒg @ @ @
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